![]() They also work tirelessly to empower others through both paid apprenticeship programs and equitable creative partnerships. ![]() Sustainable and stylish, their offerings emphasize community and circularity. YouTube-taught sewer and designer Nisha Blackwell’s Knotzland label, a collection of bowties made from salvaged fabrics, are showcased alongside Tereneh Idia’s Idia’Dega designs-a collaborative, eco-friendly fashion line helmed by Maasai, Oneida and African-American women designers and artisans. (Peters also runs Coded Clay, an extension of Building Bytes centered on consumer goods like decor and planters.) Bowtie #1, KnotzlandĮlsewhere, passionate creators turn to upcycled fabrics for source material. “Aggregation” (above) grows upward out of a mass of internal squiggles. Using his mastery of the system to his advantage, Peters produces large-scale installation works with natural features. The final forms are undoubtedly impressive, and founder Brian Peters also designed and built the 3D printing system himself. I see that so frequently within makers in Pittsburgh.” Building Bytes, Aggregation, 2020īuilding Bytes, as Velzaquez mentions, defies convention by 3D printing ceramic materials into elaborate, otherwise impossible structures. It’s this wonderful combination of studio craft and creative entrepreneurial spirit. They are making their own rules, and they are creating opportunities for themselves. They weren’t following these traditional rules: you apply to this fellowship, or you go to this school, or you work with this specific individual. ![]() “They were working with fabrication techniques that had never been used before (like in the case of Building Bytes) and weren’t waiting for opportunities to come to them. “Something that kept on coming back to me post-conversation was that there were no rules in what they were doing,” she continues. She says that what really stood out was not only an abundance of talent, but of experimentation. They are making their own rules, and they are creating opportunities for themselves “I went to probably more than two dozen studios and met so many wonderful designers, artists, and creatives.” ![]() They were some of the first shops that I frequented,” Velazquez tells CH. They were some of the first individuals I met, professionally and personally. They were some of the first events I went to. “As soon as I moved to Pittsburgh, I got to know the area really through its maker community. It also signals that there’s an abundance of independent talent living in the city. From apparel to dinnerware and tools, Locally Sourced proves that everyday objects can have elaborate histories, and oftentimes deserve positions in museums. All of the pieces featured are inherently artworks, but they serve specific functions, too. More broadly, the exhibition is also a survey of both art and utility. TAKTTIME, four water glasses, 2020įor visitors, Locally Sourced serves as an advertisement for these neighborhood operations. Exhibition organizer and curatorial assistant for the CMOA’s Decorative Arts & Design department, Alyssa Velazquez, says these creative individuals are the defining faces of a citywide revolution in making and manufacturing. Specifically, they’ve transformed their respective cottage crafts into formidable, money-earning operations. Not only do these producers possess a mastery of their given medium, they also have a knack for business. Hosted in the Charity Randall Gallery through 27 March 2022, The Carnegie Museum of Art‘s Locally Sourced exhibition showcases the talents of a new group of independent, Pittsburgh-based makers and designers.
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